Here’s a little more information about the process.Įvery 3D object is covered in a variety of texture layers.
The creation of 3D materials, and the texturing process to apply those materials to models or scenes, is a key component in the overall 3D workflow. Here again, the scene’s textures are vital - they convey not only the colors and patterns visible on surfaces, but also information such as the reflectivity of those surfaces. A forest might be sparse and brightly lit or it might be closely packed and gloomy. Similarly, a 3D forest scene of flat, gray trees is no forest at all. A credible, atmospheric forest is a product of the sensations it evokes - via the color and patterning of the bark on the trees, for instance, or the arrangement of pine needles on the forest floor. And that character’s texture - the rich, detailed surface layer that clothes the model - plays a key role in conveying that flavor. An artfully crafted 3D character might be beautiful, or it might be monstrous - but it will above all be idiosyncratic, its personality apparent at a glance. 3D characters are rarely gray, flat, and blank rather, their stories are implicit in the wear and tear of their clothes, or the color of their cheeks.
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